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Reshammiya has clearly given this film his all, and despite a more than evident lack of natural thespian talent, deserves an A for effort. The only performer in the film is Danny Dengzongpa, the perpetually in-form veteran playing a deftly comic character who encyclopaedically references Bollywood quotes, going as far as to quote Himesh's last hit - possibly the only gag in the film that doesn't fall flat.Īnd what of the leading man? Well, he's surprisingly watchable. Add to that a horribly cardboard Urmila Matondkar and an inconsequential Shweta Kumar in leading roles that required actual actresses. The plot is essentially replicated, but ironically the film is dumbed down - as if audiences of today aren't as savvy as they were a couple of decades ago.
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Just like we saw with Shah Rukh Khan's take on Don, the most memorable thing about Himesh Reshammiya's take on Karz is the theme tune recycled from the original.ĭirector Satish Kaushik's half-baked attempt to adapt Subhash Ghai's much-revered reincarnation thriller, gives us a long-winded and rather exhausting watch.
![karz movie theme harmonium karz movie theme harmonium](https://i.ytimg.com/vi/dSQMwYm0eFw/hqdefault.jpg)
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Check out her TEDx talk about how her grounding in Karnatik music helped her crack the complex rhythm of this flamboyant jazz classic.The first thing these remake directors need to really do is to pay obeisance to Laxmikant and Pyarelal. The Sachal Jazz Ensemble, comprising musicians drawn from this orchestra, has performed in London, New York and Paris.Īn accomplished Bengaluru musician who has covered this tune is Chandana Bala Kalyan. Classical musicians in our subcontinent play this beat with effortless ease, and a delightful example is what Sachal Studios Orchestra, based in Lahore, has done with Take 5.īrought together by a businessman called Izzat Majeed, an orchestra comprising the sitar, sarod, flute and the tabla has recorded a delightful version of Take 5. They came back another day and completed the recording. The story goes that when the Brubeck quartet first tried to record ‘Take 5’, they found the beat difficult to negotiate, and gave up. The beat is similar to what is called khanda chaapu in Karnatik music, and jhap in Hindustani music, but the accents are not identical. It’s forceful, and the listener never feels comfortable,” he later told The Wall Street Journal. “I suppose the Dave Brubeck Quartet’s ‘Take 5’ was in my heart, but the 5/4 tempo just came naturally.
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Lalo Schifrin, the Argentinian composer of the Mission Impossible theme, had created the tune for a TV show in 1966, four years after Dr No, featuring the Bond theme, was released. Does the piano on this theme remind you of the wildly popular ‘Take 5’? There is a reason. Another theme he has recreated is from Mission Impossible. The Indian Jam Project, of which he is the founder, Indianises Hollywood themes. Tushar Lall, based in Mumbai, has recreated the Bond theme with an Indian-style arrangement, using the harmonium, flute and the sitar.
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You hear the same stylistic influences in the music made for Bond-inspired Kannada spy films. The tune has endured for six decades, and defined espionage music, inspiring the music of spy films across the world. He then gave it to John Barry, who arranged it with jazzy edginess. When Norman was roped in for the first James Bond film Dr No, he abandoned the Indian-style graces of his tune and made it snappier. The production never made it to the stage. Monty Norman was composing the score for a musical adaptation of V S Naipaul’s novel ‘A House for Mr Biswas,’ and had made a song titled ‘Good sign, bad sign.’ The novel is set in Trinidad, and is partly autobiographical. If you heard a faint outline of the Karnatik raga Bhairavi as the opening titles rolled, and then wondered if you were hallucinating, you weren’t! A fun fact about the iconic James Bond theme music is that it was first intended as an Indian tune.